This archive presents works outside my ongoing Body Weather research. It includes projects I initiated as choreographer, projects developed collaboratively, and performances in which I participated as a performer. Body Weather has been a passion for me; however, I am also deeply moved by the work of other artists and collaborators, the inter-post/disciplinary improvisation scene in Amsterdam and Katie Duck, and my long-term co-artist companions from whom I have learned so much and navigated through many stages of life, including Achilleas Chariskos (with whom we formed Black Swans scheme and performed together for many years), Panagiotis Panagiotakopoulos (Taka-Taka) with Jennifer Hopelezz and the House of Hopelezz. These long-life artistic comradeships have formed my ethos and my passion to belong in the field of artistic practice in an inclusive, mutually learning way. As Fred Moten reflects, “the practice of being together is the practice of freedom,” and through these collaborations I have experienced art as relational, communal, and generative rather than individualistic. At the same time, Katie Duck writes, “improvisation is not a technique, it is a form of attentiveness to the life already moving around you,” and this attentiveness, for me, is at the heart of choreography understood as a third space, a relational, in‑between ground where bodies, contexts, histories, and ideas meet, reorganise and circulate through movement.